The priest and the dying soldier, 1962

Navy chaplain Luis Padillo gives last rites to a soldier wounded by sniper fire during a revolt in Venezuela. Braving the streets amid sniper fire, to offer last rites to the dying, the priest encountered a wounded soldier, who pulled himself up by clinging to the priest’s cassock, as bullets chewed up the concrete around them. The photographer Hector Rondón Lovera, who had to lie flat to avoid getting shot, later said that he was unsure how he managed to take this picture. The Catholic priest, Luis Padillo, would walk the streets, even through sniper fire, offering last rites to the fighters. Besides priest’s bravery, he also knows the enemy will think a lot before shooting him (just imagine the propaganda) and the enemy soldiers are catholic and would refuse that order.

Even more intense about this picture is the setting, in the background is a carnicería (a butcher’s shop). In Spanish a carnicería means both a “butcher’s shop” and “slaughter, carnage”. The phrase “fue una carnicería” (English equivalent: “it was carnage”) is so common in the Spanish language. The parallel really catches one’s eye and draws the horror of the scene even further.

The photo was taken on June 4 (1962) by Hector Rondón Lovera, photographer of Caracas, for the Venezuelan newspaper, La Republica. It won the World Press Photo of the Year and the 1963 Pulitzer Prize for Photography. The original title of work is “Aid From The Padre”.

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